Billy White is an Australian filmmaker and interdisciplinary artist working across fiction, non-fiction, commercial production and experimental moving image.

Based in Sydney, Billy works as a director, cinematographer, seasoned editor and creative producer, collaborating with filmmakers, artists, cultural institutions and commercial clients to create visually distinctive work with a strong sense of character, place and point of view.

His long-running collaboration with artist and filmmaker Alison Page includes Our Ngura for Seeing Sydney, Knowing Country at the Museum of Sydney, Symphony of the Dreaming for Vivid Sydney and the film accompanying the Acknowledgement of Country Sculpture at NSW Parliament House.

Billy has also collaborated with artists Aunty Tamara and Sunday Hunter and has delivered commercial film and video work for Lendlease.

His independent film practice includes extensive work with Smart Street Films on the theatrical revival of Haydn Keenan's cult Australian film Going Down, helping shape the creative campaign surrounding its return to cinemas and a new generation of audiences. The film was subsequently highlighted in the 2026 Australian edition of The Hollywood Reporter.

As co-founder of Jack Ginger, Billy works across narrative film, music video and commercial production. His screen work includes Earwax, which premiered at the Sydney Film Festival. He is currently developing a documentary centred on Sydney's Mu-Meson Archives and is the creator of the solo multimedia performance Water For The Madman.

Moving between commissioned work and his own artistic practice, Billy is available for directing, cinematography, editing and creative producing across narrative, documentary, commercial, cultural and artist-led projects.